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The following features
and reports have appeared in the
Medieval Academy News: |
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David Anderson |
Timely help from
some Hall-of-Famers—and an appeal (Winter 2003) |
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Contributions
to the Academy, Cash and “Non-Cash” |
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Other
Formats, Other Media (November 2000) |
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| Benjamin
Bagby |
What
Is the Sound of Medieval Song? (Spring 2005) |
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J. M. Bak |
Ten Years of Medieval
Studies at Central European University, Budapest (Winter
2003) |
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Martha Bayless |
Medieval Studies
on a Shoestring: Building a Thriving Medieval Program on a
Tiny Budget (Spring 2006) |
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Of
Trenchers and Trestle Tables: Recent Young Adult Novels Set
in the Middle Ages
(September 2000) |
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“Medieval”
books for young readers (February 2001) |
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In deserto vita:
The Arizona Center for Medieval and Renaissance Studies (Fall
2002) |
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Where Are Medieval
Women in Literary Historical Survey Courses? (Fall 2002) |
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Scott G. Bruce and Anne E. Lester |
James
Field Willard (1876–1935): A Pioneering Medievalist
(Winter 2006) |
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On
organizing a regional conference (February
2001) |
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John L. Cisne |
Publish or Perish:
How It Used to Work for Texts as Well as Authors (Fall
2006) |
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Seeking the Invisible:
Forensic Science at the Parker Library (Winter 2002) |
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| Meredith
Cohen |
Building
the International Medieval Society Paris (Winter 2004) |
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Review
of videotape, The Weddynge of Sir Gawen and Dame Ragnell
(September 2001) |
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Martha Driver |
"Yet Another
Part of the Very Expensive Forest": A (Brief) Meditation
on Medieval Studies and Popular Culture (Winter 2005) |
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Wrong
about almost everything: Editing J. R. R. Tolkien
(February 2002) |
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Hoyt
N. Duggan and Richard
K. Emmerson |
Medieval
Academy Electronic Publications: SEENET and Beyond
(Winter 2004) |
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Richard K. Emmerson |
Ars Moriendi:
Reflections on a generation of medievalists (Winter 2004) |
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Richard K. Emmerson |
On the present
vitality and Future health of medieval studies (Winter
2003) |
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Richard K. Emmerson |
On
Speculum book reviews, articles, covers . . .
(February 2002) |
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Speculum
book reviews: Goals, problems, solutions (September
2001) |
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Margaret Frazer |
How Medieval Can
You Be in a Medieval Mystery Novel?
(Fall 2005) |
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Michael Gervers |
The DEEDS Project:
Towards the Dating and Analysis of English Private Charters
of the Twelfth and Thirteenth Centuries (Spring 2004) |
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Alan Gordon |
Are Medieval Mysteries
Relevant in a Post-9/11 World? (Fall 2003) |
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Embarrassments
of modern pilgrimage (February 2001) |
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The Discovery of
Michaelhouse: A Medieval Cambridge College (Fall 2002) |
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You can’t sing
a footnote: The continuing adventures of Anonymous 4
(Winter 2002) |
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Geraldine Heng |
Global Interconnections:
Imagining the World, 500–1500 (Fall 2004) |
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Michael Herren |
Editing Texts in
the Profession of Medieval Studies (Spring 2004) |
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Medieval
Outreach (November 2001) |
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The
Index of Christian Art: Continuity, Computerization, and Collaboration
(Feb 2001) |
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Nicholas Howe |
The
Center for Medieval and Renaissance Studies at Ohio State
University (February 2002) |
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The
Center on the Margin, or, Self-Fulfilling Prophecies for Medievalists
(September 2000) |
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Catherine Karkov |
Recent CD-ROMs:
How Useful Are They? (Fall 2004) |
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David Klausner |
Medieval Centre
vs. Mainline Department? (Spring 2003) |
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Maryanne Kowaleski |
The Center for
Medieval Studies at Fordham University (Fall 2003) |
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CARA
at William and Mary: A hyperseminar in pragmatic pre-modernism
(February 2001) |
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Brian Patrick McGuire |
A Medievalist Meets
Dan Brown’s Readers (Fall 2006) |
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The
Hengwrt Chaucer Digital Facsimile (September 2001) |
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Reaching
way out: Presenting the Middle Ages to Modern America
(September 2000) |
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Lisi Oliver |
Beyond Beowulf:
Los Angeles Opera Brings Grendel to the Stage
(Winter 2006) |
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Ad Putter |
The Centre for Medieval
Studies at the University of Bristol (Fall 2004) |
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Bernard Reilly |
History and Fiction
(Fall 2004) |
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Language
Made Strange (September 2001) |
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Caroline Roe |
The Birth of a Medieval
Mystery (Fall 2006) |
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R. A. Rosenfeld |
Experimental
Archaeology and Medieval Studies (Spring 2005) |
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Victor Scherbe |
Ex nihilo, cum
nihilo, ad esse: Creating a Classical, Medieval, and Renaissance
Center for Fun and Intellectual Profit (Winter 2005) |
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The
Parchment Screen (November 2000) |
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Richard W. Unger |
Medievalists, Demography,
and the Next Decade (Fall 2003) |
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Miceal F. Vaughan |
Piers Plowman:
The E Version (November 2001) |
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Angela Jane Weisl |
Medieval Studies
and Popular Culture (Winter 2003) |
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Daniel Williman and Karen Corsano
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The Probatoria
Project (Fall 2002) |
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Tara Young |
Hidden in Plain Sight:
The Higgins Armory Museum (Winter 2006) |
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The
Medieval Garden (September 2001) |
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