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Winner of John Nicholas Brown Prize

The 2010 John Nicholas Brown Prize is awarded to Bissera V. Pentcheva for her book, Icons and Power: The Mother of God in Byzantium, published by Pennsylvania State University Press in 2006, and to Jonathan Ray for his book, The Sephardic Frontier: The "Reconquista" and the Jewish Community in Medieval Iberia, published by Cornell University Press in 2006.

Icons and Power is a bold book. Pentcheva's topic is enormous, spanning centuries from the fifth to the thirteenth and taking on the role of Marian icons in Byzantine society. Pentcheva is a revisionist, especially when it comes to chronological developments and the reasons for them. She argues from a wide range of evidence, art historical, numismatic, textual, and liturgical, that icons were not used in processions in Constantinople before the period of iconoclasm (730-843). Rather, icons of the Virgin were used in processions beginning in the late tenth century, and it was only during the eleventh century that the public role of icons was firmly established. The relationship of the Virgin's cult to the imperial family, too, is reexamined here, and the importance of Chalcedon and Emperor Leo I emphasized. It was not until the eighth century that Mary became the protector of hereditary power, and we must wait until the Macedonian dynasty (867-1056) to find her with military powers, embodying the older Roman concept of Victoria. Pentcheva finds two streams-public celebration of cult with processions and icons, and the association of the Virgin with imperial rule-merging in the late tenth century and mingling powerfully into a single understanding thereafter. She explores the role of Emperor John II Komnenos (1118-43), who instituted new processions and gave icons a major role within them. She says, "This period marks the rise of public litaniai with icons in both imperial and liturgical ceremonies and the creation of memory reshaped by icons." Her study draws upon recent scholarship demonstrating that figures from the early fifth century, most notably the empress Pulcheria, were mythologized and that through these myths artistic productions were given a new past. From this point on Byzantium "rises as a culture of icons." And it is this view of Byzantium and of its art that inspired a following in the West in the course of the eleventh and twelfth centuries. This beautifully produced book, with its many interdisciplinary arguments and fresh use of evidence, will inspire scholars within many fields of medieval studies for years to come.

Jonathan Ray's Sephardic Frontier stands out for both its painstaking and fruitful research in the archives and its strikingly new and convincing reformulation of a key element in the social, political, and economic foundation of medieval Iberia. Ray takes issue with the influential assumption that "Iberian Jewish communities were consistent over time in their institutions and sense of cultural solidarity. He also challenges the related assumption among scholars that religious affiliation was the most important source of identity in medieval Spain and Portugal" (review by Jessica A. Coope, American Historical Review 112 [2007], 915-16). Ray demonstrates that "[w]hile confessional identity . . . did become increasingly important in the fourteenth and fifteenth centuries, it was not a major consideration on the thirteenth-century frontier" (ibid.). The participation of Jews in the Reconquista has previously received little attention, "largely because of a shortage of easily accessible sources" (ibid.). Ray, after what is clearly long and assiduous work in many locations, draws upon "a large amount of unpublished material in royal, ecclesiastical, and municipal archives, as well as rabbinic literature" (review by Abraham D. Lavender, Journal for the Study of Sephardic and Mizrahi Jewry 1/2 [2007], 116-19). His wide-ranging research shows that "al-Andalus Jewish communities [of the frontier] were not only new communities, but that they had a degree of openness, mobility, and interaction with Christians and Muslims that was not found in other areas of Iberia. The competing crusader kings of Iberia, in need of pioneer settlers to repopulate and fight over the eventual control of al-Andalus, encouraged [not only] economic [but also] political activity by both Christians and Jews" (ibid.). Ray shows that such royal encouragement derived from "the increasing authority of Spanish and Portuguese monarchs who move in the course of the thirteenth century from ruling indirectly through personal ties with nobles to being heads of state over all subjects, including and perhaps especially Jews" (Coope). Ray's exceptional book will significantly mark a wide range of fields within medieval studies, as well as some beyond its confines: Iberian studies, including both the history of the "three cultures" and that of monarchic practices; Sephardic studies, to which it brings an entirely new dimension that will encourage future researchers to look beyond accepted models; the emerging field of frontier or borderland studies; and the study of cross-cultural contact in many places outside the Iberian Peninsula. It is a book that many medievalists, whether Iberianists or not, will want to know and share, as a model, with their students.

Respectfully submitted,
SUSAN J. NOAKES
KATHERINE H. TACHAU
MARGOT FASSLER, Chair

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